- Valse Op.1
- Etude Op.2 No.1 for piano trio arranged by Klein
- Etudes No.1 Op.2 and No.12 Op.8 ed. Baylor
- Ten Mazurkas Op.3
- Allegro Appassionato Op.4
- Two Nocturnes Op.5
- Two Nocturnes Op.5 another version
- Piano Sonata No.1 Op.6
- Two Impromptus a la Mazur Op.7
- Twelve Etudes Op.8
- Etude Op.8 No.12 2nd version
- Etudes Op.8 ed. Philipp
- Three Etudes ed. Hirschfeld
- Prelude and Nocturne for Left Hand Op.9
- Prelude for the Left Hand rare edition
- Two Impromptus Op.10
- 24 Preludes Op.11
- Preludes Op.11 No.4, 5, 15 for cello and piano arranged by Hartmann
- Album Leaf (1889)
- Six Preludes Op.13
- Two Impromptus Op.14
- Five Preludes Op.15
- Five Preludes Op.16
- Five Preludes Op.16 another version
- Seven Preludes Op.17
- Allegro De Concert Op.18
- Piano Sonata No.2 Op.19
- Piano Concerto in f# Op.20 for two pianos
- Piano Concerto in f# Op.20 full score
- Polonaise Op.21
- Four Preludes Op.22
- Piano Sonata No.3 Op.23
- Feuillet d’Album in fis-dur (1905)
- Fugue a 5 in e minor (1892)
- Nocturne in ab (1884-6)
- Piano Sonata in es-moll
- Piano Sonatas ed. Philipp
- Piano Sonate-Fantasie in g minor (1886)
- Tempo di Ballo
- Two Mazurkas (1889)
- Two Waltzes 1886
- Valse in d flat major (1886)
- Valse in g sharp minor (1886)
- Variations on a Theme by Egoroff
- Nine Mazurkas Op.25
- Symphony No.1 Op.26 for piano four hands
- Two Preludes Op.27
- Fantasy Op.28
- Symphony No.2 Op.29 for piano four hands
- Piano Sonata No.4 Op.30
- Four Preludes Op.31
- Two Poemes Op.32
- Poeme Op.32 No.1 rare edition
- Four Preludes Op.33
- Poeme Tragique Op.34
- Three Preludes Op.35
- Poeme Satanique Op.36
- Four Preludes Op.37
- Canon in d
- Complete Etudes
- Complete Piano Sonatas
- Valse Op.38
- Four Preludes Op.39
- Two Mazurkas Op.40
- Eight Etudes Op.42
- Symphony No.3 Op.43 for piano four hands
- Two Poemes Op.44
- Three Morceaux Op.45
- Three Morceaux Op.45 another version
- Scherzo Op.46
- Quasi Valse Op.47
- Four Preludes Op.48
- Four Preludes Op.48Â another version
- Three Morceaux Op.49
- Four Morceaux Op.51
- Piano Sonata No.5 Op.53
- Three Morceaux Op.53
- Three Morceaux Op.53 another version
- Poem of Ecstasy Op.54 arranged by Pavchinsky
- Poem of Ecstasy Op.54 arranged for two pianos by Conus
- Four Pieces Op.56
- Four Pieces Op.56 another version
- Two Morceaux Op.57
- Two Morceaux Op.57 another version
- Feuillet D’Album Op.58
- Feuillet D’Album Op.58 another version
- Two Pieces Op.59
- Prometheus Op.60 arranged for two pianos by Sabaneyev
- Poeme-Nocturne Op.61
- Piano Sonata No.6 Op.62
- Two Poemes Op.63
- Piano Sonata No.7 Op.64
- Three Etudes Op.65
- Piano Sonata No.8 Op.66
- Two Preludes Op.67
- Piano Sonata No.9 Op.68
- Two Poemes Op.69
- Two Poemes Op.69 another version
- Piano Sonata No.10 Op.70
- Two Poemes Op.71
- Poeme Vers La Flamme Op.72
- Two Dances Op.73
- Five Preludes Op.74
- Five Preludes Op.74 rare version
- Fantasy Op. Post for two pianos
Scriabin, Alexander
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Alexander Nikolayevich Scriabin (6 January 1872 – 27 April 1915) was a Russian composer and pianist. Scriabin’s early work is characterised by a lyrical and idiosyncratic tonal language influenced by Frédéric Chopin. Later in his career, independent of Arnold Schoenberg, Scriabin developed a substantially atonal and much more dissonant musical system, accorded to mysticism. Scriabin was influenced by synesthesia, and associated colors with the various harmonic tones of his atonal scale, while his color-coded circle of fifths was also influenced by theosophy. He is considered by some to be the main Russian Symbolist composer.
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